Author: Jas M. Morgan

  • MICE: Womb Cxre

    MICE: Womb Cxre

    Featured Image: Courtesy of Kinga Michalska and Phoebe Heintzman Hope

    At the 2017 Native American and Indigenous Studies Association conference in Vancouver, Jeneen Frei Njootli spoke on behalf of the Indigenous feminist arts collective Rematriate about burnout and community care (or lack thereof). “I’m running on empty,” said Frei Njootli, “Because that’s what’s expected of us.” So, when I say, “I’m exhausted,” I am one of many Indigenous women, gender variant, and sexually diverse peoples who have burned out on the community of institutional Indigenous thought (academia, publishing, and art), and who have worked themselves to a point of exhaustion because of the emotional labour that is expected of us, especially by Indigenous men.

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  • esse: Fallon Simard – Monetized, But Agential, Bodies in Ghost Worlds

    esse: Fallon Simard – Monetized, But Agential, Bodies in Ghost Worlds

    Featured Image: just a little disassociated, Fallon Simard

    Sad Boi extraordinaire, reproductive justice fighter and unabashed tenderqueer — Fallon Simard is a rare voice within Indigenous art. Picking up on the quick wit and viral culture of Generations Y and Z, Simard’s memes light-heartedly consider the complex effects of colonialism on the Indigenous body as if to say, yes, we are hurting and our embodiments can be painful but we are still here — alive, laughing, coping, and loving, despite it all.

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  • Briarpatch: States of Emergency

    Briarpatch: States of Emergency

    Featured Image: Lauren Crazybull

    This article calls for an intervention into the white-settler queer and trans HIV organizing methods that contribute to the colonial erasure of Indigenous bodies. HIV organizers and researchers must consistently resist colonial responses to AIDS that have failed HIV-positive Indigenous women and two-spirited folks, who are disproportionately affected by HIV in Canada….

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  • Curatorial: atotam

    Curatorial: atotam

    Featured Image: On Sisterhood and Flowers, Chief Lady Bird

    atotam, “they (singular) tell a story about it” in Plains Cree language, is a gathering for the Indigenous literary and performing arts communities. Co-curated by Lindsay Nixon and Moe Clark, its inaugural edition includes panels, performances, and a workshop. The gathering brings together emerging and established storytellers, local and visiting nations, to foster collaboration, inter-generational sharing, and community-based practice.

    ▼▲ Friday, November 18, 2016 ▼▲

    8:30 PM – Leanne Betasamosake Simpson f(l)ight Album Launch

    Bar Le Ritz PDB, 179 Rue Jean-Talon-Ouest

    ▼▲ Saturday, November 19, 2016 ▼▲

    Day of panels at Concordia University

    10:00 AM – Erica Lee, Tracey Lindberg, Gwen Benaway, and Elma Moses.

    12:30 PM – Métis in Space Livestream with Chelsea Vowel and Molly Swain. Molly and Chelsea will be streaming in live from Edmonton, AB (amiskwaciwâskahikan), with a sister event held at the University of Alberta.

    3:00 PM – Zondra Roy, Leanne Simpson, Moe Clark, and Ange Loft.

    Concordia University’s John Molson Building, 1450 Guy, MB 1.210.

    ▼▲ Sunday, November 20, 2016 ▼▲

    Leanne Simpson Writing Workshop with the Quebec Writers’ Federation.

    10:00 AM to 1:00 PM

    First Peoples House of McGill, 3505 Peel Street.

    Registration details to come.

    ▼▲ Sponsors ▼▲

    The Indigenous Arts Council gratefully acknowledges the generous support of:

    The Canada Council for the Arts.
    Concordia University’s English Department
    Concordia University’s Students Association of Graduates in English
    Quebec Writers’ Federation
    First Peoples’ House of McGill University

     

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  • mâmawi­-âcimowak: Lit, Crit, and Art

    mâmawi­-âcimowak: Lit, Crit, and Art

    Featured Image: waniskâtân nîtisânitik by Erin Marie Konsmo

    Issue 1: Creative Nonfiction

    Guest Editor: Molly Swain, Black Indigenous Harm Reduction Alliance

    Lit

    pichiw, Samantha Nock

    ”i am hoping to help this city heal from its trauma.”, Billy-Ray Belcourt

    untitled,  Amanda Lickers

    red river, Brandi-Ann Bird

    The Intimacies of Global Colonialism, cera yiu and Lindsay Nixon

    Crit

    Decolonial Gestures or Doing it Wrong? Refaire le chemin, Sasha Simmons

    Disrupt Archive, Lindsay Nixon

    Art

    Thunderbird 1, Thunderbird 2 and Thunderbird 3, Fallon Simard

    Interviews

    Black Indigenous Kinships on Turtle Island, rosalind hampton

    Editor’s Note

    In the summer of 2014 Molly Swain and I received a grant from QPIRG Concordia to create a research project with our collective, the Indigenous Women and Two-Spirit Harm Reduction Coalition. We were hungry for the kinds of research that we desperately wanted read. We are part of a generation of Indigenous feminists who feverishly read writers like Andrea Smith, Leanna Simpson, Joyce Green, and Paula Gunn Allen, who spoke to our realities in profound and affective ways. Yet, we still yearned for specificity, words that described our embodied experience outside of a sterile academic analysis of colonial violence. We wanted to know more about our ancient kinships with Black and East Asian communities. We wanted to talk about sex work in ways that respected the agency of youth sex workers. We wanted to be able to talk honestly and openly about our own experiences without fear of stigma.

    As we started having conversations with other Indigenous folks, we began to reconsider our reasons behind working on a research-based publication at all, questioning the legitimacy of the so-called divide between the academy and our real lives. In September 2014, Molly and I received funding through the Simone de Beauvoir Institute at Concordia to put on an Indigenous feminist gathering called waniskâtân nîtisânitik. After a weekend of sharing deeply personal experience, I left this conference with one feeling above all: the personal/academic divide is non-existent for Indigenous peoples. This also led me to considerations around the apparent divide between fiction and non-fiction. The Indigenous artists and writers among me are part of a lineage of Indigenous creators, one that draws specifically from our own trauma, love, and resistance. In fact, the very act of putting to words and visual cultures our histories is an act of political warfare, survivance, and community care.

    This inaugural issue of mâmawi-âcimowak, on the theme of Creative Nonfiction, acknowledges this divide between the academic and personal, the political and personal, fiction and non-fiction. Truly the making of this issue was a labor based in love, kinship, and community.

    Enjoy! ah-hay,

    Lindsay Nixon

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    Full waniskâtân nîtisânitik by ErinMarie Konsmo.

  • Critical Sass Press: bawajigaywin

    Critical Sass Press: bawajigaywin

    Featured Image: courtesy of Kenneth Andrews JR (book cover)

    bawajigaywin is a poetry chapbook and is the outcome of a daily writing practice. Each of the pieces evolved from a vision: in a dream, a ceremony, or chemically assisted. A small number of copies are available for sale through the author at request. Please contact Lindsay Nixon for inquires.

  • In Defense of Love

    In Defense of Love

    The Montreal Pulse Vigil, Queer Kin, and Dreaming Our Way Home (Featured Image: Karen Campos public installation, Toronto)

    .

    yôski-pikîskwawak: speak softly (nehiyaw)

    to be
    soft
    is
    to be
    powerful.

    -rupi kaur

    This past Saturday I attended the party of nîtisân (my sibling) who was bidding farewell to Montreal, on her way back to home territories to start her own family. She is doing so with another sibling, nîmis, who I call “older sibling” because of the dynamic of our relationship. nîmis was the first person to teach me the nehiyaw language and, admittedly, very much about the unapologetic and persevering, yet gentle, spirit of our people. They are going back to the land to start what I have heard some term a “postmodern family.” A family that questions and teases apart the limitations of Europatriarchal cis and hetero normative family structures, reforming itself strongly guided in nehiyaw / michif kinship ways. A family that asks, why can’t two spirit sisters and their kin have a home and a family together?

    I’ve had similar affect amongst my “queer family.” I remember reading some of my earliest queer ancestors around 12 or 13 years of age in the “Gay and Lesbian” section of Regina’s downtown public library – a budding prairie queer. Maybe the unabashed love affairs I read about in these books, between friends, family, lovers, and other kin, is what was so enticing about the queer community to begin with. At the party on Saturday, I drank, ate, and laughed at a table with my closest siblings, my lover who is the future co-parent to my children, and the future sperm donor to my children who is a close friend of almost a decade to my partner. We schemed, joked, and cackled my future family into being at that table. We talked about every step of my future conceptions, from inception to rearing, and contemplated who among these relations would be best equipped to assist in the different stages of leading these lives through the world. These lives that were also going to be a part of this motley crew, this queer family I have built in this place I call home. Built on endless stretches of highway roads, sweaty dance floors, and a cheeky substance fuelled kiss or two. At BBQs, at rallies, around kitchen tables, at meetings, and in gutters. We literally created our families into being with, well, nothing. We brought with us to the city our broken bones, our tired blood, our own secret traumas, and we were met with love. Queer love. Is there anything more pure? No, not in terms of its political power as a subversive counterculture – a claim  which has been heavily critiqued, indigenized, and teased apart by BIPOC gender non-conforming, queer, and/or trans folks. Rather, queer love is revolutionary love. Queer love revolutionizes love.

    I was recently listening to Chai Chats, a podcast based in Montreal. The hosts were talking about the idea that “love is traumatic” (Episode 12). Parneet Chohan suggested that when you’ve had a life defined by scarcity, unsafeness, violence, and depressive affect, this  becomes your new truth. Trauma, a disruption in your belief in reality, can become associated to love precisely because love is a disruption to your known reality. Moments of joy are embodied as trauma, like symptoms of PTSD. Chohan cites Brené Brown’s definition of love: the feeling of being seen, heard, recognized, and understood. Then, to heal ourselves from embodied trauma is to learn how to love. I wondered, could queer love even heal colonial trauma? As a non-binary, two-spirit person I have felt my traditional gender, sexuality, and ways of loving were so seen, so heard, so recognized, and so understood in queer and trans communities. In ways Indigenous community often seems incapable of. Queer communities actually have healed these parts of me. Truly, I survive this settlement on my body, that has made a home of my bones, a trauma I feel daily, with the support and love of my queer fam. In the words of Leah Lakshimi, in dreaming our way home.

    Back to the party: Later in the evening as I moved through the space I was privy to a conversation between a few white folks. One of the first things my ears unwittingly picked up was somehow not surprising to me as someone who has navigated a palpably white queer community for the last 4 years, “Do you think it would have been the same if Esteban hadn’t thrown the paper.” Still, the words cut into me. What they were referring to, of course, is the now infamous incident at the June 17 Montreal vigil for the Pulse shootings wherein Esteban Torres, a local Latino trans activist, was violently confronted by police and taken into custody. Torres had been speaking alongside premiere Philippe Couillard at the vigil. Of course, this event mirrors exactly what BIPOC queer and trans communities have said heavier policing of the village would bring with it. Namely, an increase in racialized police violence against queer and trans BIPOC folks at the hands of a police force who has been proven violent and unchecked.

    Since the event, media outlets like the Montreal Gazette have been actively criminalizing and arguably racializing Torres, portraying him as having violently attacked the premiere during the vigil. What did occur, however, was much less sinister then the media portrayed. Toward the end of the vigil, Torres turned to the premier and shouted, “Revolution” and, “We will take back the street.” He then threw a paper ball at the premiere. Immediately secret police rushed Esteban putting him in a choke hold and dragging him out of the vigil. Torres was charged with assault against the premiere with an unidentified object and disturbing the peace. He was released on a promise to comply with a list of conditions including not being allowed to organize with Pink Bloc anymore, having to see a psychiatrist within five days of being released, and following any recommendations he receives from the psychiatrist including prescribed medication.

    This is the other side of “queer fam.” Moments like these consistently make me question the legitimacy of such a homogenizing identifier, make me critical of white queers all too ready to co-opt the narrative of the Pulse shootings proclaiming, “WE ARE ALL ORLANDO.” Just as their kin proclaimed, “all lives matter.” These are the interactions that point to difference, calling us to be gentle and concise in addressing said difference. Because BIPOC queer and trans folks know that these distinctions matter. Because, no, we are not all Orlando.

    Recently artist Karen Campos tweeted, “Just when I was sort of enjoying Queen west, I read ‘we are all orlando’ [in] the gay cafe washroom,” in the days following the completion of her recent work. The Salvadoreña artist’s work is now on display outside of The Beaver in Toronto. Campos cites El Salvadorian textiles as one of her inspirations. While Campos has grappled with the difficulty of “having to draw out 49 people” on her Twitter, the work speaks an important context to the Pulse shootings: That it was the Latin community who was actually targeted for these shootings. This is a reflection of similar racisms felt in Southern regions of the US and, let’s be honest, beyond. Even within local communities, it’s no coincidence that the individual to experience police violence resulting from heavier policing of the village was a trans Latino individual. A call to identify the Pulse shootings as simply evocative of LGBTQ bigotry also fails to address the fact that queer and trans Muslim folks had their identities dissected, criminalized, and attacked by the mainstream media, as well as amongst neoliberal gay and trans communities, immediately following the shootings. Calls for an end to Islamophobia within queer and trans communities prolifically spread across social media platforms, ironically at the expense of an actual centring Muslim queer and trans folks within this narrative. As my friend Sam Unger so poignantly put it, “Sometimes I feel like you all forget queer Muslims exist. Sometimes I feel like lots of y’all are dicks.”

    What also curiously seems lost within local narrative is the role that white supremacy, colonialism, xenophobia, and Islamophobia within Quebec nationalist rhetoric played in the events that occurred at the Montreal vigil. When talking about homonationalism in Quebec, we are talking about a very particular breed of imperial colonizer and settler. French colonizers have truly adopted a sovereigntist political and social rhetoric, one in which they imagine themselves to be a colonized people and even at times Indigenous. I mean, truly believe themselves to be Indigenous. This fiction allows them to both a) adopt an identity of a colonized peoples and b) negate their own identities as colonizers. Maybe this is why the standoff at Kanesatake, often called the Oka Crisis in settler media, was so explosive: Because the assertion that the Kanien’kehá:ka are the rightful people of this land completely dismantles such a myth.

    What does this look like in real time? Heavy appropriation of Indigenous cultures and iconographies as “Quebec culture,” even within Quebecois cultural celebrations and mythologies. Literal blood myths wherein they claim a long lost Indigenous relative. I’ve been in a business meeting where a French settler told me, “Look at the curve of my nose. I must have Indian blood.” I’ve sat at dinner with the family of my partner who told me, “I don’t care what you say, I know I’m Indigenous. It’s true because of intermarrying. Look at the way I tan.” Ah yes, and this. The most popular mythology of all, that the French Canadian people are in fact an Indigenous people. Of course, it’s always some long lost grandmother. As nîtisân Amanda Lickers has said, “terra nullius is rape culture.” This is why claims to indigeneity that have created strong waves amongst Indigenous community by individuals like Seb Malette aren’t surprising to me, and perhaps why they feel so violent – they mirror so perfectly the narratives that already pre-exist amongst French nationalists in the way they envision their own subjectivities as that of a colonized “race.”

    Quebec’s racist, white supremacist, xenophobic, anti-Black racist, and Islamophobic social culture is no secret. There is no end to the list of evidence I could cite. Montreal Nord’s tireless fight to deal with the criminalization of, police violence towards, and police killings of Black community members. The continued articulation of anti-Black sentiment amongst residents of the predominantly French Canadian NE side community of Rosemont, where I currently reside. The ongoing violence against Muslim women who choose to wear head covers, recently with the Quebec Charter of Values (ironic considering the role Catholicism plays in Quebec social, cultural, and political identity) but there’s also been a long history of this within the French Canadian community. One famous instance being the debates for reasonable accommodation or even within rhetoric amongst French feminist institutes like that at UQAM. Entire communities of “news” commentators have made their careers off of hateful racist and xenophobic fear mongering because, well, there’s a market for it. Recently this article somehow ended up in my Facebook page proclaiming, Quebec separatists see new hope after the Brexit vote. Well, ya. Of course Quebec sees itself in a successful sovereignty campaign based in fear mongering and nationalist colonial rhetoric that targets the Muslim and Black communities in violent and disturbing ways. Sovereignty for white settlers on stolen lands isn’t actually a thing – that’s just colonialism. It’s a “sovereignty” asserted standing over the bodies and bones of the Black slaves you kept, the Indigenous peoples you decimated.

    As my friend Sanford Kome-Pond recently found in reading through the heavily redacted FBI transcripts of what went happened at Pulse nightclub, there are still so many questions left to be answered. Namely, why there were no reported fatalities until after SWAT had entered Pulse? How was this so well buried by the media and by the police force? Is what the police chief of Orlando hinted towards true; were most of the fatalities the result of police gunfire? Why were the FBI transcripts so conveniently released as “pride month” is coming to a close? Were authorities afraid that we would find our way back to the roots of pride – the stonewall riots, destroying the state that seeks to destroy our bodies, life, and love. Says Kome-Pond, “No matter who perpetuated the violence, we know why these people were chosen. We know why the police responded the way they did.”

    The idea of being accountable for the ways multiple queer and trans subjectivities interact in public space has been on my mind as of late. Sometimes I wonder, for a community that self-proclaims itself as so subversive, why are we so scared to talk about difference? If social justice communities accept the complicity of, oh say, white cis folks in social structures that result in the embodied trauma of BIPOC folks within macro society, why then are we afraid to address the same dynamics at play within queer and trans communities. Maybe it’s time to view this fear of addressing racial and colonial difference in queer community as complicity, an inability to acknowledge how you can simultaneously experience oppression-related traumas yet still hold and wield power within queer and trans communities.

    I know I might be accused of veering into that taboo realm of the “call out” but I want to be clear that is not my intention here. I want to reify my introduction wherein I laid out my long withstanding stakes, claims, affinity, and love for queer and trans communities that have held me, called me their own. That said, it’s hard for me to stomach the participation of queer and trans communities in criminalizing narratives around Torres’ violent arrest. Especially when it is framed as a necessity to rationalize the humanity of BIPOC queer and trans folks when our bodies are put in harms way because of state violence. Rather than perpetuating the continued criminalization of Torres within the narrative of what happened that day, maybe we should instead ask, would this have happened if Esteban had been a white man?  White folks in queer community, despite who they fuck, despite if they are critical of the state, despite their gender, are complicit in embodied colonial and racial violence. Sharing a beer with me at NDQ does not make you any less the beneficiary of settler colonialism and white supremacy.

    I’m still reeling from Kai Cheng Thom’s piece 7 Ways Social Justice Language Can Become Abusive in Intimate Relationships wherein she recalled her own experience navigating the murky waters of social justice communities and its language:

    And how many times had I, in moments of fear, terrified of being abandoned yet again by a white, cisgender male partner, resorted to using the only power I had – the language of feminism and social justice, words that had given me strength and saved my life when no one would – to try and seize control of my relationships? 

    “If you leave me, then you’re just as racist as all the other white gay boys. You don’t want have sex with me anymore because you’re transphobic. I’ll scream at you and call you whatever I want – don’t tone police me.”

    The thing is, I believed those things when I said them, believed them with all my traumatized, terrified trans girl of color heart. A part of me still does. 

    Because it’s true that social oppression plays itself out in romantic and sexual relationships. Too often, privileged people hurt and exploit their marginalized partners and are never held accountable for their actions.

    But there is a difference between expressing oppressive relationship dynamics in order to expose privilege and incite self-reflection, and manipulating the language of social justice to win a fight with your partner. 

    There is a big difference between pointing out that your partner is more privileged than you and using that fact as an excuse for hitting them.

    This conversation is so, so complicated and scary to open up, because it forces us, as feminists and activists, to question the foundations of our beliefs about identity, power, and violence. It forces us to question ourselves and what we are doing, in the world and in our bedrooms.

    But I think we need to go there.

    We need to look at abuse through a more complicated lens.

    This inquiry into the ways we relate to one another in community space, and similar conversations, have stayed with me. While I know the term “community” in this context is contentious, I am hesitant to frame it as otherwise. As an Indigenous person, I often wonder if feminist or social justice spaces are truly emancipatory for me when they manifest within continued occupation and are not necessarily led with Indigenous resurgence in mind. I question the limits of Eurocentric, white-dominated spaces and knowledges to accurately describe all of my experiences. Maybe I’ve lived in Montreal for too long but I also want to be clear that my engagement with community here shouldn’t be equated with a brocialist conceptualization of “the common” either.

    All that aside, I’ve been thinking a lot about love and, yes, the power of love in teasing apart these differences with generosity, empathy, and kindness. Don’t confuse my use of love here for a capitalist conflation. Because Creator knows we don’t have a lot, but at least we got love. Much like my queer kin, my kinship with Indigenous fam has allowed me to create mutually supportive communities that help me survive with nothing but a little love. It was Tracey Lindberg who said,

    “Don’t mistake
    this gentleness
    for softness.

    It’s a steel love.”

    Some have called it “being through love” (Hardt and Negri). Others have described it as love for community (bell hooks). I just call it responsibilities and responsiveness to kinship. My kin keep me humble. My kin keep me street. My kin always remind me that, no matter what, we take care of each other first.

    My path to love happened through my family. nîmis was the first to teach me (but wouldn’t be the last) about the nehiyaw peoples’ robust kinship networks within all creation. Centering restoration, love, and kinship within my interactions has truly changed every part of me. I’ve become less interested in binaristic ways of describing how our identities collide and misalign, and more concerned with the multiple ways our subjectivities interact, hopefully mitigating the harm that results from these interactions. I’ve had countless conversations with those I hold close attempting to define that line where my trauma ends and theirs may begin, how our embodied traumas interact, and also how this is all at once completely impossible. Can traumas that are spiritual, physical, and emotional really be expressed in this way? Or, must they be felt? It was nîtisan Amanda Lickers who taught me about the land trauma that I carry, a history of genocide flowing through my veins.

    During my pursuance of an undergraduate degree in feminist thought at the Simone de Beauvoir Institute, I also came into contact with the feminist ethics of care and love. Truthfully, these felt like cheap rip-offs of a love I found much better described within the pages of Leanne Simpson’s Islands of Decolonial Love. Such critiques shouldn’t feel too far off, considering that Indigenous feminisms are the original feminisms of these territories and, arguably, the inspiration for all white feminism.

    I’ve never been a fan of deconstructionist arguments that are presented void of self-reflexivity. In my community such approaches have denied material and felt subjectivities, like race, purporting that “identity categories” aren’t constructive within social justice. I also see the downfall of its categorical opposite however: That there is one true “winner” in oppressive interactions and it’s easily identifiable by boundaries like race or gender. In fact, reconstructing my relationship to kinship has reconfigured the ways I feel about binaristic identity categorizations, like feminine and masculine spirit for instance. I truly don’t understand what is restorative about a call out and discard model. There is a lot of things about restorative justice movements right now that seem pretty fucking carceral to me. All this to say, I choose love as a starting place for my politic. I choose restorative processes. I choose community. It’s a hard market but I’m going to keep peddling.

    I want us to not be afraid to interact with the uniqueness of our subjectivities and the ways we perpetuate or experience harm. It was Audre Lorde who told us all those years ago, “difference must not be merely tolerated, but seen as a fund of necessary polarities between which our creativity can spark like a dialectic.” Can we use love as a starting point to interact with such difference, to recognize that we are all interconnected and responsible to one another – that we are kin. That, to love each other means to be responsive to these differences. Also, how cool would that be, to centre Indigenous kinship ways within the restoration of our queer kinships?

    The other day I was having one last dinner with my aforementioned friend, the one who is moving. We had been talking about unlearning capitalism and, specifically, humility and careerism. She asked me, “What has been the most important part of unlearning capitalism for you?”

    I replied, “Learning to recenter love in all my relationships.”

    We don’t have to be the same to have love for each other, to fulfill the dreams of our queer and trans ancestors. I’m not here to say that we are so different we can’t still find solace together in such a fucked up time. What I am asking is that you consider the Pulse shootings as a call to action. A call to lift up those in our community who need it most right now. To listen. To learn. To show up with love.

    Tomorrow night CRZN will host a Queer Latinx dance party for the families of the victims of the Pulse shootings, here in Montreal. I hope to see you on the dance floor so we may tempt the spirits, honour our queer kin, both with us and fallen, and put some of that queer love into action.

  • GUTS: Visual Cultures of Indigenous Futurisms

    GUTS: Visual Cultures of Indigenous Futurisms

    Featured Image: Hoop in the Cloud, Wendy Redstar

    Armed with spirit and the teachings of our ancestors, all our relations behind us, we are living the Indigenous future. We are the descendants of a future imaginary that has already passed; the outcome of the intentions, resistance, and survivance of our ancestors. Simultaneously in the future and the past, we are living in the “dystopian now,” as Molly Swain of the podcast Métis in Space has named it. Indigenous peoples are using our own technological traditions—our worldviews, our languages, our stories, and our kinship—as guiding principles in imagining possible futures for ourselves and our communities. As Erica Lee has described, “In knowing the histories of our relations and of this land, we find the knowledge to recreate all that our worlds would’ve been if not for the interruption of colonization….

     

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  • Black Indigneous Harm Reduction Alliance: Decolonization 101

    Black Indigneous Harm Reduction Alliance: Decolonization 101

    Featured Image: Smudge, Hallie Rose Taylor

    The Indigneous women and Two-Spirit Harm Reduction Alliance is proud to finally launch it’s first zine, Decolonization 101! In 2014 IW2SHRC received financial support from the McGill Rez Project, under the direction of Emily Yee Clare, to create a decolonizing resource which would be easily accessible and understandable. IW2SHRC’s Decolonization 101 is the result of that collaboration. A special thanks to Otto Vicé and Jaime Maclean for formatting the zine….

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  • The Feminist Wire: Eco-Feminist Appropriations of Indigenous Feminisms and Environmental Violence

    The Feminist Wire: Eco-Feminist Appropriations of Indigenous Feminisms and Environmental Violence

    Featured Image: Our Bodies Are Not Terra Nullius, Erin Konsmo

    The connection between land and life has been told through many teachings through a multiplicity of Indigenous communities. Nookomis Winona LaDuke (1999) reminds us that we have relations outside our human kin and in the environment around us. Indigenous peoples honor these relations in ceremony, song, and in reciprocity with their environments. This is even embodied in our languages. Nehiyaw language and worldview is divided between animate and inanimate. Nehiyaw language is also heavily relational and every work contains meaning about how we relate to other forms in our environment. Certain objects which are not imbued with spirit in the Western worldview are considered animate, or having a consciousness, depending on their relationships with other forms they encounter…

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